In the original Finnish it was called Postia pappi Jaakobille and was intended as a made for TV movie. But, luckily, this seventy-four minute masterpiece was released as a movie. The deft cinematography draws you in and the acting of the two principals (Kaarina Hazard as Leila and Heikki Nousiainen as Father Jacob) keeps you riveted to the screen.
The basic plot surrounds the newly pardoned criminal Leila coming to work with the blind Father Jacob as an assistant. But there are layers of meaning in every amazing shot and moment of dialogue. The story is succinct but full of subtlety. The clash of faith with modernity, in particular, was skillfully played with.
I had to watch the film for a second time immediately just to satisfy myself that I had grasped everything.
Klaus Härö is the young director and wrote the screenplay using an original work by Jaana Makkonen. It’s official: I’m now a fan.
Very highly recommended to an older audience with an open mind.
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